Vanessa Johansson Biography
vanessa Johansson was born in New York City, New York, United States. She is an actress, best known for Shark appearing in Venice (2008), Battle for Terra (2007) and The Objective (2008).
Vanessa Johansson Age
Vanessa Johansson was born on January 12, 1980, in New York City, New York, USA. She is 39 years old as of 2019.
Vanessa Johansson Family
Vanessa Johansson was born in New York City, America as the second child of Karsten Olaf Johansson an architect originally from Copenhagen, Denmark, and Melanie Sloan, a producer. She has an older brother Adrian Johansson, a younger sister Scarlett Johansson and a younger brother Hunter Johansson. She also has an elder half-brother, Christian Johansson. Her father is Danish and mother is American.
Vanessa Johansson Husband
Vanessa Johansson information about her spouse/husband has not been revealed in the public.
Vanessa Johansson Siblings | Vanessa Johansson Sister | Vanessa Johansson Scarlett Johansson Sister
Vanessa Johansson has four siblings. One younger sister by the name Scarlett Ingrid Johansson, a twin brother to her younger sister Scarlett namely Hunter, an older brother Adrian and an older half-brother, Christian, from her father’s first marriage.
Vanessa Johansson Height
Vanessa Johansson stands at 1.75 m tall.
Vanessa Johansson Image
Vanessa Johansson Image
Vanessa Johansson Career
Vanessa has appeared in several movies, Day of the Dead (2008). She has also featured in the movie Shark in Venice (2008). She narrated the movie Battle of Terra (2007). Vanessa has also worked on the TV show Deal O’Neal (2010) playing the role of News Anchor. She has appeared with a small role in Manny & Lo (1996). Also, she has worked in Shifted (2006), The Objective (2008) and Skavengers (2012). Vanessa is a very active voice-over artist in the industry. She has written a number of audiobooks and commercials. She is an experienced voice-over artist for animations too. She also works as the voice-over artist in cartoons, documentaries, educational videos, movie trailers, podcasting, and video games. She can communicate in different accents such as Australian, British, French, Irish, North American, Russian and Scottish. She has featured in the best-seller audio books Snowfall on Haven Point: A Haven Point Novel, Mischling, Riverbend Road, Country Bride, and The Evening Road.
Vanessa Johansson Net Worth
Vanessa Johansson Net Worth has not yet been revealed.
Vanessa Johansson Actress
Vanessa Johansson is an American actress, working as a theater actress, featured in numerous films and series.
Vanessa Johansson Film
- The Snow Queen 3: Fire and Ice 2016
- Reservations 2008
- Shark in Venice 2008
- The Objective 2008
- Day of the Dead 2008
Vanessa Johansson Video
Vanessa Johansson Instagram
Vanessa Johansson Interview
Published: February 28, 2018
How did you get started narrating audiobooks, and what were your earliest experiences like?
I had been doing voiceovers for a while but had never ventured into the audiobook world. SAG (the actor’s union that I am a member of) had a seminar introducing actors to audiobook work that guaranteed an audition at Audible. I attended the workshop and was immediately intrigued – I’ve always loved reading and doing different kinds of character voices, so this seemed like a perfect match. I auditioned and booked a gig right away.
You have performed in film and live theater in addition to audiobooks. How has your film and live theater experience enlightened your audiobook narration?
When you are acting on stage or in film, you have to be “at the moment.” The minute you think about something other than what’s happening, you are pulled out of the situation and you’ll probably forget your lines. Acting requires tremendous concentration – audiobook work is similar. When you narrate, you enter the world of the book and the characters that live within. If the material is good, it can be so much fun to get lost in that world.
How do you prepare in advance to record a book?
I read the book! I’ll look up anything I don’t know – whether it’s the meaning or pronunciation of a word, a historical situation, a place – it sounds pretty basic, but for the listener to understand the book, the narrator needs to know what she’s talking about. I’ll decide on character voices based on traits they display, where they’re from, and where the book takes place. I have had to learn some accents for certain characters, which is something I love to do.
I just love your performance narrating the Cats in Trouble mystery series by Leann Sweeney. You really sound like you are smiling as you read. How do you create such magic?
The Cats in Trouble series is such a fun one to narrate. The characters, with all of their quirkiness, are very loveable – and at this point seem like old friends, I’ve narrated so many of these books! I love coming back to this series to see what mischief will occur next – and who doesn’t love a good whodunnit?
You directed your sister, famed actress Scarlett Johansson, in narrating Lewis Carroll’s Alice’s Adventures in Wonderland. What was it like working with your sister? Did you enjoy getting to be the boss?
We had a lot of fun working together – the material doesn’t get much better than Adventures in Wonderland for a performer who likes to do voices. I actually had never read the book until this job. I think I am like a lot of people who have just seen the Disney cartoon. It really is such a wacky story! … and I’m her big sister, so I’m already the boss
You have experienced narrating in various genres, including mystery, young adult, romance, memoir, chick-lit, and books for children. How does your approach to a book change as the genre changes?
My approach to the book doesn’t really change depending on the genre – the preparation is the same. I think about who is telling the story, who is the audience, and try and gauge the “feel” of the book – answers to these questions help define the voice of the narrator, the general tone, and pacing. I love working in different genres – it keeps things interesting.
Thinking back over the many books you have performed, which books most stand out to you as memorable?
The most memorable ones are probably the best-written ones with stories that really grabbed me. When I’m narrating, the quality of the material trumps anything else as far as making it an enjoyable experience – the genre doesn’t matter.
What characteristics are necessary for a person to have in order to make that person an effective audiobook narrator?
Some characteristics that help are having fluidity as a reader, confidence in your interpretation of the material, an ear for dialects, good attention span and endurance – enjoying reading helps too, of course! Some people just have an innate knack for it and they intuitively get the process, which was my experience. I was pretty confident this was something I could do and do well – not that I didn’t learn along the way. I think there is definitely a progression in the quality of my performances from when I first began narrating – as with anything, the more experience and practice you have, the better you get.
What advice did you find especially helpful as you started out performing audiobooks that you like to share with new narrators now?
Don’t be afraid to get started on your own – you do not need an agent to get into the business. ACX is a helpful site to begin sending out auditions to authors who are interested in hiring narrators directly. Do not invest too much money in a home set up right away – you can record adequately high-quality audio at home without a lot of money. It was only after I started booking work steadily that I invested in a home studio, though I do prefer to work with sound techs and directors in studios outside the home when possible. It allows me to focus only on the performance and not have to think about technical stuff.
What is your favorite part of narrating audiobooks?
I love creating characters, doing different accents, being moved by stories, and conveying that in my performance. I love the independence it allows me, to be able to do this alongside my acting work; I can record during the day and perform in a play at night. It is a wonderful outlet for a creative person, to use a lot of skills I’ve honed as an actor in another way.