June 25, 2022

Wes Chatham Biography, Age, Height, Hunger Games, Workout, Tattoo, Movies

Wes Chatham Biography

Wes Chatham (John Wesley Chatham) is an American actor who has appeared in films such as In the Valley of Elah, W., The Help, and The Philly Kid, and also plays Castor in The Hunger Games: Mockingjay – Part 1 and Part 2. Chatham stars as Amos Burton in Syfy’s The Expanse since 2015.

Wes Chatham Age

John Wesley Chatham was born on October 11, 1978 in Atlanta Georgia, United States. He is 40 years old as of 2018.

Wes Chatham Family

Wes grew up in North Georgia. His parents divorced when he was two and he spent the better part of his childhood with his mother, sister and brother.

On a whim, Wesley’s mother took his sister to an audition for a Tide commercial in Savannah, Georgia, and brought him along. While Wes was waiting for his sister in the lobby, he was spotted by the casting director and, at the age of five, offered a national campaign for Tide.

Wes moved in with his father at the age of thirteen, without alot of supervision and also as a restless and rebellious teen, Wes was kicked out of high school and then sent to the Give Center in Lawrenceville, Georgia, to finish his school.

Wes Chatham

The Give Center was a second chance school for troubled youth which offered very small classes. While attending classes at the Give Center, a professional theater company out of Atlanta started a mentoring program with the school. Wes was chosen to write a play that was later performed by his classmates. It was from the experience that he found his passion for the arts.

Wes Chatham Jenn Brown

Wes is married to TV personality and sportscaster Jenn Brown. They hjave two sons together, John Nash, born in 2014, and Rhett Jameson, born in 2016.

Wes Chatham Navy

Wes joined the military after graduating from high school. He then worked as an aviation firefighter on the flight deck of the USS Essex, working in crash and also salvage for four years. His break into acting came just three months before his tour was finished when Denzel Washington chose his ship to shoot the movie Antwone Fisher.

Wes Chatham Actor

Wes was amongst those selected by casting director Robi Reed while Reed was searching for authentic-looking military personnel for that movie. It was Chatham’s first movie-making experience, it led to further pursuit of his lifelong dream of acting. Reed convinced Wes to move to Hollywood following Antwone Fisher and shortly thereafter cast him in his first series regular role on Showtime’s Barbershop.

Wes gained further attention when Paul Haggis cast him alongside Tommy Lee Jones as Corporal Steve Penning in In the Valley of Elah. Wes went on to work with Oliver Stone in W. as Frank Benedict, George W’s fraternity brother in 2009.

Wes Chatham The Unit

Wes landed another series regular role on the hit CBS TV show The Unit the following year. He was cast as new unit team member Sergeant Sam McBride (aka Whiplash), where he was working with David Mamet and Shawn Ryan. Wes also starred as Brian Danielson in Brett Simmons’ Husk (2011).

Wes Chatham The Help

Wes portrayed Carlton Phelan, Emma Stone’s character’s brother, in the 2011 film The Help. The cast then won a 2012 Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture. He landed his first title role in Joel Silver’s The Philly Kid in 2012.

Being a fan of mixed martial arts, Wes dove into the character of Dillion McGwire where he was performing all of his own stunts. The film then debuted in theaters May 2012. After The Philly Kid, Wes starred in This Thing With Sarah, which was then accepted to the San Diego Film Festival in October 2013. Wes wrapped two studio films, Broken Horses (2013) and The Town That Dreaded Sundown (2014) in 2013.

Wes Chatham The Expanse

He began starring as Amos Burton on the Syfy TV series The Expanse in November 2015.

Wes Chatham Hunger Games

Wes portrays castor in The Hunger Games: Mocking Jay Part 1 and Part 2.

Wes Chatham Escape Plan 2

Wes joined the cast of the 2018 American-Chinese action thriller film Escape Plan 2: Hades as Jaspar Kimbral, Breslin’s former protege turned warden of Hades.

Wes Chatham Height

The Hunger Games star stands at a height of 5′ 11″ (1.8 m).

Wes Chatham Movies and TV Shows

Wes Chatham Movies

Year

Title

Role

2018

Escape Plan 2: Hades

Jasper Kimbral

2016

All I See is You

Daniel

2015

Broken Horses

Ace

The Hunger Games: Mockingjay – Part 2

Castor

2014

This Thing with Sarah

Ethan

The Town That Dreaded Sundown

Danny

The Hunger Games: Mockingjay – Part 1

Castor

2013

Baby Bleed

Daddy

2012

The Philly Kid

Dillon

2011

Husk

Brian

The Help

Carlton Phelan

2008

W.

Fraternity Enforcer

2007

In the Valley of Elah

Corporal Steve Penning

2003

The Fighting Temptations

Cashier

Wes Chatham TV Shows

Year

Title

Role

2017

The Night Shift

Clark

2015–present

The Expanse

Amos Burton

2014–17

Hand of God

Shane Caldwell

2012

Political Animals

Gunner Cox

The Mentalist

Vince

2009

The Unit

Staff Sergeant Sam McBride

2005–06

Barbershop

Isaac

2005

Sleeper Cell

Frat Boy

Wes Chatham Facebook

Wes Chatham Twitter

Wes Chatham Instagram

Wes Chatham MMA

Wes Chatham Workout

Wes Chatham Interview

Wes Chatham on The Expanse: ‘This is the hardest I’ve ever rooted for something that I’ve been a part of’  

Source: theexpanselives.com

Ed Akselrud- So Wes, how is everything on set? How does it feel being back after the hectic scare in May?

Wes Chatham: It’s great. I mean it’s obviously pretty surreal considering, you know, everything that happened and what we went through and then we’re coming back. The one thing that we all agree with and I think is one of the things that really holds this show together is that pretty much everyone that’s involved with it is a fan of it. Meaning, I would be reading and watching the show even if I wasn’t a part of it. So, this is the hardest that I’ve ever rooted for something that I’ve been a part of. ‘Cause there were times where our options were up and you have other options for work, but you were holding out even without any guarantees just because we love being part of this show.

I really love the connection between the fans and the show. I went to London [Film and] Comic Con not too long ago and got to meet a lot of the fans and the people that are into the show, and it’s just, it’s a really interesting community. Most of the fans I’ve met, you know, they all have really interesting careers. The Expanse attracts a certain group of people that are really fun and interesting to hang out with. There’s just a lot that I really love about this show so it’s been great so far. This is our first location and we’re shooting on Ilus, and we found this really great amazing looking location. But the weather’s changing, so…

Kyle LaBarre- We did have a question related to that – the change in environment. Is that going to change how you adapt Amos for the coming season? Is it going to change your approach at all, dealing with new external factors?

Wes Chatham:  Yeah, I think it’s definitely gonna have an impact. I mean, being back in an atmosphere and kinda being in a wide open sky and a wide open space again – especially in a landscape that’s stripped back with its technology and it’s a little bit more wild and more primal. Yeah, Amos is definitely gonna be awakening things in him that impact his behaviour that he hasn’t really felt in a long time.

I’m constantly researching and developing, and trying to be honest about his struggle and what exactly he’s going through.

Ed- In regards to what you were mentioning earlier about how everyone’s a fan of the show including yourself – you’ve read the books, right? You were already familiar with the material before the show, is that true?

Wes Chatham:  Yeah, so I knew about the books before the show. This is what I remember, but I don’t know if it’s 100% accurate – like I can’t remember what came first.

A friend of mine, Clint, was telling me about the books and then I started inquiring about them – this is what I remember – and then they sent me the pilot of The Expanse and I thought “Oh my god, this is what I’ve been interested in, I’ve actually read this and you know, started reading this and getting into it.” Now when I tell this story, what Clint says is that I told him about the books. So I don’t know why but we have two completely different memories.

But in any case, yeah, I read the first book and then I started the second book while we were shooting the first season, and I realised that it was kind of getting in the way because I started getting confused with what we knew in the books but we hadn’t learned in the show. So I decided that I was gonna read a book per season: In the off-season, when I finish, I’ll read the book that we’re gonna shoot the next season.

Kyle- Right. So, about that, we were wondering – how does your understanding of him in the books come through to your performance? I mean, obviously there’s the script that you’re being given and the factors that come into your on-screen performance, but how much do you feel like the books and your reading of that really influences your character?

Wes Chatham: Well, I think ultimately whenever there’s a character in a book and you bring it to screen, and you do it yourself, it’s never going to be the exact same as the books. The thing that really connected me to Amos and made me a fan of him, and really excited to play him, was the novella called The Churn. When I read The Churn, that was most interesting to me. When you get to Leviathan Wakes, I think it’s like 20 or 30 years after The Churn – I can’t remember exactly how many years – but it’s definitely a significant amount of time has passed and he has grown up from then.

What I did is I started back with The Churn and I used that as the foundation to create the psychology, and used my imagination of what happened to him in the past and what has shaped him; moulded him to become who he is today and how did he and Naomi’s relationship come about, how did he meet her, how did that become forged? And so I kinda used The Churn as the psychological framework to build the show off of and how that manifested itself. I let it manifest itself in whatever was truthful to me and so I didn’t allow that to be really affected by the actual books as much.

Ed- I heard that you actually took The Churn to a psychologist – or a psychiatrist, I’m not sure – to consult with about it.

Wes Chatham:  Psychiatrist, yeah I did. I took it to a psychiatrist in San Diego and I gave her The Churn, and we had long talks about it, and then she referred me to books to read – things that he might be dealing with. So I did a lot of research into that and his mental health and also into trauma. I did a lot of work into trauma, and I continued to do that. There’s a book that just came out, I think it was this year, I just finished that – it’s called The Body Keeps the Score, and it’s a book about the history of trauma and abused children, sexually abused children.

I’m constantly researching and developing, and trying to be honest about his struggle and what exactly he’s going through. What’s interesting is that the better researched I am and the more accurate I show his reaction to things, the fans really are very astute – they’re very quick to pick up what’s happening and they’ll send me tweets and emails, and I’m just really impressed how they understand the psychology of Amos. ‘Cause it’s not in your face, it’s very subtle, he has subtle behaviour.

Ed- Right, it’s subtle but it’s very complex. I mean, I can’t even begin to try to explain what’s going on with him or how he came to be. What did you think of him when you first read the book – the first book – before you even got the script and before you knew that you were gonna be in the show? Do you have any thoughts about him then that you remember, and did you have any connection to him at that time?

Wes Chatham:  Oh yeah, yeah. So Amos was my favorite character and he was the one that I was most attracted to and when they wanted to see me for The Expanse my first thought was – I didn’t know who they wanted to see me for, and I didn’t know if it was Holden or whatever because I’m different physically than Amos is in the books. So I immediately said “I wanna go in for Amos”, but I think they were already thinking of seeing me for Amos anyway. But Amos was the only thing I was really interested in. I knew that I wasn’t physically like he is in the books, but I knew I had a deep understanding of him psychologically so I knew that if I went in and read that, whatever the outcome is on their side, they would see my understanding of Amos.

Kyle- I actually cosplayed as Amos earlier this year for a con.

Wes Chatham:  Ha, which one? Which con?

Kyle- Convergence, it’s a small [con in Minnesota].

Wes Chatham:  Awesome. [Laughs] You know, every Comic Con that I’ve been to, mainly San Diego Comic Con, I’ve always been connected to a project. We had to do it for the Hunger Games and we did that two years in a row, and then it’s just work. You go in there and you promote whatever it is you’re working on. So I never really been to a Comic Con on my own. And the first time I did that was the London [Film and] Comic Con because I was going to be in Europe anyway, and they reached out and said, ‘would you come?’ And I said ‘yeah’, and I had such a good time. And it was such a good experience, getting to meet all these people hanging out. Also all the things I got to see that I’m a fan of myself and a lot of friends that I have that were in it, so I’d definitely be open to going more of those cons.

Kyle- Correct me if I’m wrong, but it seemed to me that some of the tattoos we see on Amos on screen are some of your personal tattoos, is that right?

Wes Chatham:  Correct.

Kyle- Now was that just an easy costuming decision, like ‘hey he’s got ‘em already, they look cool’, or was there like a greater conversation – was there a meaning that you wanted to bring forth into the character?

Wes Chatham:  Well, yeah – you know that Amos is always in search of his morality. What is his line between good and evil. And a lot of the tattoos that he has are kind of stories that we created that are kind of like guiding symbols to him. And two of the tattoos that I have on my arm, not to be too specific, but they have something to do with morality. And that was just really in line with what we were trying to create, and that’s why we left those.

Kyle- That’s cool. I suspected something like that – I’m a big tattoos guy – so it’s cool to hear a little bit of confirmation behind that.

Wes Chatham:  I’m a big tattoo guy now too, but the hard thing is that I can’t get any tattoos on my arms until the show is over. [Laughs] I don’t like covering them up every day.

Kyle- How’s the make up doing in the new weather – does that change things up as well?

Wes Chatham:  When it’s cold, the tattoos and stuff are easy, because it’s so cold and your skin is dry, and everything stays on. When you’re shooting in the summer – which I love, I love coming up here in the summer and the fall – but when you get hot n’ sweaty the tattoos are really hard to keep on.

Ed- There’s probably so many things we don’t consider about production like that, that you don’t realize until you’re in it. That kind of leads me into another question – is there anything you can talk about that’s happened so far particularly notable or challenging, or interesting, that we don’t already know about on set? Is there something that you recall?

Wes Chatham:  Yeah, so in terms of being on location [for Season 4], there was one night when we were at our location and it was one of the coldest nights here. It was on a Friday, and we had to make the day – I think it was towards the end of the last [previous] block. And, so we started the first half of the scene on the first block, and that was still early fall so it was a warm night, and so my wardrobe – I’m coming from something – and so I don’t have a full wardrobe. We’ll leave it at that. [Chuckles]

And, so, it was a warm night so we didn’t think much about it. And then, about a month and a half later, we had to do the second half on another block, and that night was freezing, and it started raining. And so I had to shoot all night, in minimal wardrobe, in the rain. I think I got home at like 6:30 AM. So yeah.

Ed- Damn.

Kyle- So is that what you would consider the most challenging scene that you’ve had to shoot so far, or was there one earlier in the seasons that you would consider, something that tried you a little bit harder?

Wes Chatham:  In terms, like out of all three seasons?

Kyle- Yeah.

Wes Chatham:  In terms of physically challenging, because I was freezing, and it was raining, and I was throwing myself on the ground, and running around, and all that stuff – I would probably say, physically, yes. Although – I believe it was Season 3 – and I was between the walls, and we were getting attacked and I was getting thrown around the walls…

Ed- Yeah, I remember the scene you are talking about.

Wes Chatham:  Yeah, that one and the tool scene, when Prax’s oxygen got knocked loose and the tools are flying all over the machine shop and I was flying upside down and everything… it was challenging. I mean it was a lot of fun on the wires of course, but it was challenging in the sense of being in that space shoot, and that was another late scene. But other than that, I would say the rainy cold night was probably the most challenging. But, you know, it beats – when I was in the military for four years, it beats that.

Kyle- Yeah, we’d heard you did some time in the military as an aviation firefighter, was that right?

Wes Chatham:  Correct, yeah, I was in crash and salvage.

Kyle- Would you say was that there was anything about it that you feel informed your performance as Amos?

Wes Chatham:  Yeah, I think that… That was a profound experience in my life, and I think it impacted me so much as a human being that it in turn it impacts everything I do or every role I play. So there is a lot of that that plays out through Amos – you know, probably on a subconscious level, just because of having been through that.

Ed- It actually led to you acting, is that right? I mean when you met Denzel Washington, when he chose your ship [for Antwone Fisher]?

Wes Chatham:  Yeah, it led to me acting professionally. I started when I was really young and I was always drawn to story, you know. I didn’t know it was going to manifest itself in the way that it has but I knew that I was going to be a part of telling stories somehow. And when Denzel was shooting the Antwone Fisher story on my ship, that was how I met Robi Reed and how everything got started for me.

Ed- Can you tell us more about that experience? You know, from the point of younger Wes experiencing that and sort of finding your calling, I suppose, at that time.

Wes Chatham:  Yeah, you know it’s a really strange story. And it’s going to seem like… I’ll just tell you what happened, and I promise it’s true, it’s just not going to seem true.

Me and a friend of mine, his name is Petty Officer Jones, I think we were in the… we might have been in the Gulf? I can’t remember where we were, but we were in the ocean, and we were looking out at the ocean and talking about what our dreams were, what we wanted to do, and he asked me what I wanted to do. And I told him what I just told you guys – that I wanted to be a part of storytelling, that I’ve always wanted to be a part of making movies or TV or things like that. I started doing that when I was really young and I did some theatre when I was young, so it was always something that I wanted to do or was interested in.

I was actually studying acting in San Diego at the time, when I was in port. So we had a long talk about that. He asked ‘who’s your favorite actor?’. I can’t remember who I said, and asked him who was his, and he said, ‘man, Denzel Washington’. And then he said to me, ‘hey, Chatham, wouldn’t it be amazing…’ ‘cause he was on the carrier that they were shooting Top Gun on with Tom Cruise and Val Kilmer, and he was telling me about that experience – and then we both said that ‘man, wouldn’t it be amazing if they were shooting a movie on my boat and this is how I got started. You know that’d be the dream.’ I’m not exaggerating, I’m just telling the truth. And then cut to… I think it was right before September 11th. We were in port – I was in gym working out. Jones was on watch. He runs up to the gym, he’s got tears in his eyes and he said – ‘Denzel Washington just walked on board the ship, he’s on the ship right now’. And we could not believe it. And it turns out Denzel Washington was shooting a movie on that boat and that’s how I got started.

Amos is not as trained or skilled, he more has a talent for violence.

Ed- Wow. That’s a hell of a story.

Wes Chatham:  Yeah, I’m hesitant to tell that story ‘cause it’s hard for me to believe. It’s just the truth, it’s how it happened.

Ed- Ah yeah, I think some things like that happen sometimes. It’s amazing. Thanks for telling us that.

Kyle- That’s just luck right. Definitely got a few spot in the right place at the right time credits to your favor there.

Wes Chatham:  Yeah, but also it’s preparation meeting opportunity, because I studied acting for a long time and so when they auditioned me for the part… I remember walking out, walking down, and then [Robi Reed, casting director] called me back and I went in there and she’s like ‘you’re in the military right?’ – ‘cause she was done with the ship – and I go ‘yeah.’ And she goes ‘are you an actor as well?’ and I said ‘yeah.’ And she said ‘you could do this if you wanted to, if you wanted to pursue this.’

Kyle- So, you’ve mentioned you spend a lot of time in the gym. A lot of folks are really interested in hearing about your routines. How would you say that your martial arts experience translates into your on screen performances? Especially with films like The Philly Kid, – I’d actually seen that one a few months ago and thought that it was really cool – how much do you get to utilize that experience on screen?

Wes Chatham:  I mean, in more ways than one. That kind of training and that outlet that I have is kind of meditative for me. And it clears my mind of all the noise, and then it kind of gives me a clear platform to be more creative and more open and vulnerable in the moment. And so in that way it serves me greatly. It’s kinda like my antidepressant. If I need to get out and get moving and kind of exorcise those demons and then I can come back and really focus on work. And so in that way it helps greatly.

And then it really depends on what the part is. So obviously with something like The Philly Kid, it plays in a great deal because of the training that I had to really have authentic fighting moments, you know, with technique that can really allow somebody to suspend their disbelief that I’m in that situation. But then when you play someone like Amos… Amos is not as trained or skilled, he more has a talent for violence – he’s a talented amateur. And so he understands how to use his power and strength but he’s not James Bond. So he’s not smooth and refined. So you know I’ve got to sit back and think ‘how would Amos physically express himself in this situation?’

There’s this scene in the bar where this guy was picking on Alex, and I come in, and the way it was written was like – I tap him on the shoulder, and we get into an argument and then, you know, we get into this kinda long choreographed fight. And I said to them, you know, the thing that I want people to understand – which sometimes I have to let new directors know – is that Amos does not have an ego in that way. He does not have a tough guy bravado ego, he doesn’t. He’s just not afraid because he doesn’t have that chip in his mind or in his body so that’s a different experience. A lot of time ego and bravado comes from fear. And it comes from a place of weakness. And so the reality is that Amos would do the most efficient thing to eliminate the threat and there’s no honor or dignity or pride in it.

And so what I said was ‘he’s not going to tap him on the shoulder, no, what he’s going to do is that he’s going to pick up a bottle and he’s going to crush his fucking head from behind, and then when the guy’s on the ground he’s going to stomp him’. Why risk himself by spinning the guy around and having some tough guy talk? That’s just not how he’s going to do it. And if he can shoot you in the back of the head, he’ll shoot you in the back of the head, you know?

I like the violence to be an expression that’s honest to who he is, and it doesn’t make sense to me that somebody would… like, if I watched movies where somebody grew up on the street, or he’s from prison or whatever, and they get in a fight and all of the sudden he has this highly-refined, choreographed fighting; and it’s like ‘that’s not how he would fight,’ you know? Or, somebody that’s supposed to be a trained martial artist who doesn’t really know how to throw a punch.

And that really bothers me. Fight consistency really bothers me. You know like with the chicken guy? So we’re sitting there and we’re talking to this guy and I said like ‘he would take this can of chicken and smash this guy’s face, and get over on top of him even though he’s a small guy and everything like that, but the thing is he’s gonna get the answers and this is the fastest way he can.’